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Me. I Am Mariah...The Elusive Chanteuse
Wednesday 21 May 2014
Let's start with that subtitle: The Elusive Chanteuse? It's hard to take it seriously when the first
two words in Mariah Carey's new album title are Me and I, and she's standing right there on the cover
in a crocheted swimsuit like a vision of Aphrodite that somebody airbrushed on the side of a van.
And although the singer hasn't released a proper studio full-length since 2009's Memoirs of an Imperfect
Angel, she's been everywhere: claiming she needed "a fragrant moment" with her perfume on HSN; telling
20/20 that she gave birth to her now 3-year-old twins while blasting her own song, "Fantasy", in the
delivery room; having a hold-my-hoops showdown with Nicki Minaj on American Idol. (Her time as a judge
on Idol, she told Billboard, "was not festive".) So it's genuinely exciting that she opens her new album
with "Cry", an emotional Mariah-at-the-piano ballad that could make people start to care about the music again.
Working with longtime collaborator Jermaine Dupri, Carey front-loads the track list with midtempo R&B
and soulful torch songs that spotlight her best asset: That Voice. She comes on strong with Jennifer
Holliday-in-Dreamgirls bravado on "You Don't Know What to Do". ("You'd better sing it, girl!" yelps
guest Wale appreciatively.) And she's whistle-toning all over the end of "Dedicated", a fun,
Wu-Tang-sampling tribute to hip-hop's golden age, featuring Nas.
Nostalgia is a big theme here, both lyrically (she's looking through old photo books on "Faded") and
musically, with arrangements that borrow from Inner Life's disco rave-up "I'm Caught Up (In a One Night
Love Affair)" and the O'Jays' Philly-soul classic "Let Me Make Love to You". Stevie Wonder even whips
out a harmonica solo for "Make It Look Good" that could've been unearthed from the crates. There are
still way too many slow, generic love songs and too much schmaltz, like the harp-strumming "Supernatural"
(featuring the giggles and babblings of "DemBabies, a.k.a. Ms. Monroe and Moroccan Scott Cannon, a.k.a.
Roc N' Roe", according to the album credits). But it's easy to get nostalgic yourself during the gospel
epic "Heavenly (No Ways Tired/Can't Give Up Now)", backed by a full choir and samples of the late Rev.
James Cleveland, with Mariah trilling like crazy. This might not be the "Vision of Love" Mariah, but
she sounds more like that girl than she has in a while.
That Voice has been through a lot, and you can hear it. There are times on The Elusive Chanteuse when
she's trying to power through a note where it sounds like digital technology might be holding her up
by the straps of that crocheted swimsuit. But who else has survived EDM and Auto-Tune and still climbs
her way up the octaves like this? Ariana Grande may have been christened the "new Mariah," but we still
need the old one. And she is telling you that she's not going.
(Entertainment Weekly)
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