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About Billy from Greece: I don't know, and neither do you.

"Boy (I Need You)" / "More Than Just Friends" and more (55,254) by Billy from Greece Wow, "Boy" has really gotten some hate here. It is by no means a favorite, but I like several elements of its production and vocal layering. One of these things though is not the chipmunk vocals. These for me almost ruin the song, though they are much worse on "You Got Me". Chipmunk vocals aside, I feel "Boy" is as uptempo as "Charmbracelet" would go and it is sequenced appropriately in the album. It was totally stupid though to choose it instead of "The One" as a single. The song that to me remains Mariah's most tuneless one is "More Than Just Friends". It has no clear melody, no specific hook, the lyrics are rather vapid and materialistic and generally does very little to me. "Up Out My Face" is miles superior to it. "X-Girlfriend" was never a favorite, nor was "To the Floor", though I do enjoy them in their context. "Just To Hold You Once Again" can sound very generic though the vocal and backgrounds after the bridge are sublime. "There's Got To Be a Way" is a cheese-fest, almost cringe-worthy lyrically. I just can't stand the "Heal the World" type of songs. Oh, and how could I forget? "Obsessed" gets me feeling mixed. One day I think it's a banger, next day it makes go blah. Finally, "I Stay In Love" is the most soulless ballad Mariah has ever recorded. It's dated, stiff and too hasty. However, I don't mind it within "E=MC2". On a final note, "Loverboy" may be a total mess but I love it with a passion. Amidst its absurdity, there's so much to get addicted to. (Monday 13 July 2015; 23:50)

Nikki / "Emotions" (55,142) by Billy from Greece Nikki, you're right, the second album was at some point almost called "The Wind" but the actual track was never intended to be the first single (on the basis of the research I've done over the last couple of decades). The original first single was to be "You're So Cold". (Wednesday 8 July 2015; 23:42)

"Lamb, I'm gonna call you" (54,987) by Billy from Greece Aww, Whitney. (Tuesday 30 June 2015; 19:35)

This is hillarious (54,911) by Billy from Greece So funny. (Friday 26 June 2015; 12:30)

Speaking of Twitter (54,886) by Billy from Greece Did you see Mariah tweeting Janet "Go Janet"? So cute. Diva camaraderie rocks. (Thursday 25 June 2015; 9:48)

Re: Luke (54,652) by Billy from Greece Thanks for the clarifications Luke. I missed out the information because of the British accent. I also agree with what you said. Very understandable for Mariah to "sigh" when she gets the "new you" comment every now and then. Interviewer is clearly not a fan. No offense (since you're from the UK) but I always had the impression that the British are not fond of Mariah or that they don't get her sense of humor or her cultural references, or they just plain don't get "her". As if there's some cultural gap or something. I don't want to generalize but judging upon interviews I've seen of Mariah in the UK, that's what I perceive. (Tuesday 16 June 2015; 0:17)

Shade (Leona Lewis and interviewer) (54,645) by Billy from Greece I think Mariah is becoming the new Diana Ross of the 1980s for this generation. During the 1980s, a huge backlash started against Diana (in the US) which pretty much ended her career domestically. Stories about her portrayed her in the worst kind of light, as the ultimate ruthless queen bitch who stepped over everyone and every kind of value to achieve what she achieved. I think Mariah has received the same kind of treatment the past 5 years. Here's the latest attack, though I'm not totally sure what the dude is saying because he talks very fast. Is he saying that Mariah cringed when he mentioned Leona winning the X-Factor back in the day or something along the same lines? (Monday 15 June 2015; 20:47)

"Meteorite" /"You Make Me Feel (Mighty Real)" (54,637) by Billy from Greece I was just listening to Sylvester's "You Make Me Feel (Mighty Real)" and it brought to mind "Meteorite" in terms of melodic sequences and chorus. Though "Meteorite" does not sample this particular song, it does feel like a homage of sorts. (Sunday 14 June 2015; 23:46)

Paris / paparazzi / fans / Mariah (54,427) by Billy from Greece Seeing Mariah not being able to take a walk like a normal person in Paris makes me sympathize with her even more. While the fans that were waiting to take a photo with her supposedly "love" her, I found it striking that they totally neglected Moroccan when he was standing right next to her and all they cared was to capture her with their phones so that they can instagram it. I mean, I understand fan adoration, but I personally have some limits in terms of when I would "chase" her. It's not an event where she's promoting something. It's her personal time. Above all though, the British paparazzo who even dared call her "mommy" asking of her stupendously stupid requests ("Mariah hold the Paris champion 2015") was calling for a punch. Like, for real, show some respect for crying out loud, ask it politely. He was going mad. At the same time, watching Mariah trying to please the fans, the press, and be a "mommy" through all this mess, makes me so angry when she gets trashed around by media or some nobodies in a comments section when in fact she is one of the nicest celebrities out there. Yes, we love to hate on the celebrities. But it is a crazy life and that kind of exposure cannot but damage you to some extent. The paparazzi though, my god. Utterly disgusting behavior. Poor Monroe couldn't handle that mess. Rocky appeared more comfortable. (Tuesday 9 June 2015; 10:00)

Album openers / "Betach Gon' Know" (54,346) by Billy from Greece Among the many things Mariah knows how to do well is "opening" an album. From "Vision Of Love" to the masterpiece that is "Cry.", the opening track of every Mariah album is striking and sort of sets the tone for the rest of the album. As I listen to "Memoirs" quite frequently as of late, I yet again marvel at the lugubrious heaviness of "Betcha Gon' Know". It's as if you watch the opening credits of a film, so ominous and mysterious sounding. She has a gorgeous narrative style in this one, while the way she manipulates her lower register to "color" the lyrics is spine-tingling. This song exemplifies perfectly what Time magazine said in their review of "#1 to Infinity", that is, Mariah has become "an impressive storyteller", "an artist comfortable in her own skin and voice and enthusiastic about the music she makes and loves". (Monday 8 June 2015; 11:22)

Late 1990s MC live (54,184) by Billy from Greece Remember the performance of "Close MY Eyes" on the Rosie O'Donnel show? It's one of her most precious performances. As I re-watch several live clips of Mariah from different parts of her career, I can say that her lives from the late 1990s are rather undervalued. As a video that has recently been uploaded on YouTube also indicates (here it is by the way, though I don't necessarily agree with everything), her voice did not deteriorate in the late 1990s. It just matured, which led to a somewhat different vocal placement or technique, thus to a different sound overall, but one which to me is not inferior to what is usually considered her vocal peak. Looking at the Butterfly and Rainbow tours from a time distance, you have to appreciate the sound that she had then, which was deep, intense, and very expressive. (Thursday 4 June 2015; 14:33)

Rainbow tour, Milan (54,179) by Billy from Greece In case you haven't checked any videos from the "Rainbow tour" recently and only remember it as the worst tour vocally by Mariah, I suggest you immediately check out the show from Milan. Her vocals and stage presence are outstanding. Honorable mentions go to "Without You" and "My All" (excellent ad libs) while she really grooved to "Dreamlover" and "Honey". Finally, "Crybaby" is awesome too. (Thursday 4 June 2015; 13:42)

Billboard Awards 2015 (53,953) by Billy from Greece Here's an unofficial clip of the performance. She looks and sounds beautiful, even better than the official broadcast. I love how her voice has matured. Also, the audience goes crazy, just by virtue of her voice. I'm sure certain people attending have never experienced that as performers and had to distract themselves somehow. (Sunday 31 May 2015; 15:26)

"It's Like That" live / arrangements (53,757) by Billy from Greece Wow. Did you see the video from the show on the 24th where she sings impromptu some bits of "It's Like That"? It's beautiful. Even with the on-the-spot different arrangement, and thinking also about the fantastic stripped down versions of TGIFY, you just have to wonder about the marvels that MC could bring live if she teased her songs a little bit more. In this video, ITL has a more loungy sound, but it sounds oh so good. That's all she needs. Just slow down the pace a little bit, allow her some extra room (in terms of breathing and comfort) and she'll blow you. (Monday 25 May 2015; 11:29)

Nice 1990 interview (53,708) by Billy from Greece Nice 1990 interview. (Saturday 23 May 2015; 11:53)

"#1 To Infinity" booklet / "We Belong Together" (53,536) by Billy from Greece Mariah wrote this: "Obviously this song was an undeniable hit that reintroduced me to the world at a crucial time when I felt very vulnerable." I did not expect that she would be so open about it ("it" being basically the couple of years that preceded WBT). (Tuesday 19 May 2015; 16:08)

"I Still Believe (Morales Classic Club Remix)" (53,532) by Billy from Greece And since I started talking about and listening to this oh so beautiful song, I'm now relistening to the abovementioned remix and I had completely forgotten about the wonderful newly recorded adlibs she did after the sixth minute of the song. The wonders of Mariah's vault. (Tuesday 19 May 2015; 15:28)

"I Still Believe (Eve of Soul Remix)" live (53,530) by Billy from Greece Oh my goodness. Now that's a remix I never thought I would hear her do live, even as a snippet. Gorgeousness. (Tuesday 19 May 2015; 14:54)

First impressions Vegas / Anita Baker (53,204) by Billy from Greece From the first couple of shows, all I can say is that Mariah is looking gorgeous, sounds wonderful and is "present" once again. I don't want to assume too much, or sound as if I know what she's been up to as if I was sitting next to her, but she does come across as more involved in the shows. Also, she looks fabulous with the curly hair. Finally, it is so nice to see a great R&B singer and artist like Anita Baker being so supportive of Mariah, be it through social media or going to her concerts. Great camaraderie. (Monday 11 May 2015; 23:13)

Black dress, Vegas 2009 (53,179) by Billy from Greece Do you guys remember the black shimmering dress MC wore in the Vegas Pearl shows back in the fall of 2009? Now that was something. (Monday 11 May 2015; 10:18)

That "Dreamlover" video (9.5.2015) (53,163) by Billy from Greece Oh my goodness. Do you hear how her voice resounds? Her voice is such a wonder. Hearing this legendary thick mid-range belt makes you realize once more the difference between "sanging" and screaming (no to shade and "singers" or anything). (Sunday 10 May 2015; 9:58)

"Oh, it's nice" part II (53,041) by Billy from Greece Just to explain my previous post. In the video from Good Morning America, Michael Strahan tells Mariah at some point about the supportive comments Nick made about "Infinity". Mariah replied "Oh, it's nice" but you have to hear it to actually experience the shade. (Thursday 7 May 2015; 23:21)

"Oh, that's nice" (53,029) by Billy from Greece Ouch. (Thursday 7 May 2015; 22:21)

"I Don't Wanna Cry" (52,998) by Billy from Greece Wow. It sounds so good, almost 20 years after its last performance. (Thursday 7 May 2015; 14:59)

"Thank God I Found You" Vegas (52,992) by Billy from Greece Wow. The snippets sound so promising. A total re-envisioning of the song. (Thursday 7 May 2015; 10:24)

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