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About Zachariah from Croatia:

MC songs I've burnt out on (114,473) by Zachariah from Croatia I've kind of burnt myself out on Mariah's first four albums. Didn't touch them in years. Everything from Butterfly onward, including Butterfly, is still in regular rotation for me. I'm more of an R&B/hip-hop kind of guy, so I tend to gravitate more toward that side of Mariah rather than the big belting-ballad Mariah. (Monday 24 August 2026; 18:47)

Glitter (114,410) by Zachariah from Croatia I've been loving and supporting Glitter since day one. And after Butterfly, it's without a doubt the most-played Mariah album in my household. It never gets old - I still enjoy every song as much as I did back then. I've always believed this album deserved so much more love. Loverboy in MJ Cole remix was number one that summer in Croatia and we blasted it on the beach every day. (Tuesday 18 August 2026; 12:30)

Glitter anniversary (114,396) by Zachariah from Croatia I am beyond excited. Especially because it is all happening around my birthday so, double joy. (Sunday 16 August 2026; 10:59) this is a reply to message 114,395

Glitter anniversary (114,395) by Bobby A from United States I am looking forward mostly to the live performances and new songs. August 21st is going to break the internet next Friday. (Saturday 15 August 2026; 22:08)

Caution reflections (114,374) by Zachariah from Croatia I actually think Caution was a much better album than its commercial performance suggested, and the single campaign is one of the biggest reasons it didn't reach a larger audience. The interesting thing is that the problem wasn't simply "they chose the wrong songs". It was the sequencing, timing, number of pre-release tracks, radio strategy, and lack of a sustained era. What actually happened? The campaign essentially went: "GTFO" - September 13, 2018, promotional single "With You" - October 4, official lead single "The Distance" feat. Ty Dolla $ign - October 18, promotional/pre-order track "A No No" - October 31, another pre-release track, later made the second official single Caution - November 16 So four of the album's ten songs were already available before the album came out. Mariah herself later said she disliked how the label handled those "instant gratification" releases. That's a huge problem for an album that was only 10 tracks and about 38 minutes long. By release day, roughly 40% of the album wasn't new anymore. And critically, Caution was actually very well regarded. Contemporary reviews praised its cohesive R&B/hip-hop sound, with songs such as "The Distance" and "Portrait" singled out as highlights. My alternate single campaign. If I were running the Caution era, I'd do something quite different. 1. "GTFO" - September 2018 Keep it exactly where it was, but treat it as a buzz single. "GTFO" was actually a smart way to announce the era. It immediately communicated: Mariah is back, she's having fun, she's not trying to make another generic adult-contemporary album. It also had a great title/concept for social media. But I wouldn't count it as one of the album's major singles. The first mistake was following it with "With You." 2. "A No No" - October 2018 This should have been the lead commercial single. I think this is the biggest missed opportunity. "A No No" has several things that "With You" doesn't: instantly recognizable sample attitude personality a memorable hook hip-hop/R&B crossover potential a fun visual concept potential for a major rapper/remix something distinctive enough to cut through 2018 radio It also plays directly into Mariah's persona. The Lil' Kim connection was particularly valuable because the song samples the remix of "Crush on You". And this is where I think they missed an enormous opportunity: Lil' Kim. Imagine: "A No No" - Mariah Carey feat. Lil' Kim. With Lil' Kim actually appearing on the remix/video. That could have generated significantly more cultural conversation than the Stefflon Don and Shawni remixes that ultimately came out. "A No No" was eventually serviced to radio in March 2019, but by then the album had been out for almost four months. 3. "The Distance" - November/December 2018 This would be my second single. And I would absolutely push the Ty Dolla $ign collaboration. "The Distance" has something really important for Mariah in 2018. It sounds contemporary without sounding like she's desperately chasing contemporary music. That's the sweet spot. It has: Ty Dolla $ign modern production a great chorus an emotional theme enough melody for Mariah enough hip-hop/R&B credibility for younger listeners 4. "Caution" -January 2019 This is my wildcard. The actual title track. I think the title track should have become the centerpiece of the era. Not necessarily the biggest radio hit, but the song that defines the album visually. I'd give it a big-budget cinematic video and build the album's entire visual identity around: Caution: Black, gold, luxury, danger, nighttime, Mariah in gowns, paparazzi, relationships, power. Instead, the actual campaign never really developed a strong visual world for the album. And that's particularly unfortunate because Caution is an album with a very clear aesthetic. 5. "8th Grade" - February/March 2019 This would be the urban/R&B single. "8th Grade" has a completely different purpose from "A No No". "A No No" is fun, attitude, nostalgia. "8th Grade" is vulnerability, relatability, Mariah's songwriting. It would give the campaign another dimension. And I think the story behind the song could have been marketed extremely well: insecurity, rejection, adolescence, feeling like you're not enough. That's an extremely relatable concept. And then "Portrait". Final single: "Portrait" This is the prestige single. I'd release it toward the end of the campaign, perhaps around May/June 2019. Not because I think it would necessarily become a huge Hot 100 hit, but because it would remind people: Mariah Carey is one of the greatest vocalists/songwriters alive. It would be the Grammy/award-season type of single. And the video could have been gorgeous. So my campaign would look like this: Date Single Purpose Sept. 2018 GTFO Buzz/announcement Oct. 2018 A No No Main commercial lead Nov. 16 Caution album Album release Dec. 2018 The Distance R&B/pop crossover Jan. 2019 Caution Title-track/visual centerpiece Mar. 2019 8th Grade R&B/streaming audience May 2019 Portrait Prestige/vocal showcase And none of the album's other songs would be released before the album. That's the really important part. (Sunday 9 August 2026; 09:54) this is a reply to message 114,373

Caution reflections (114,373) by Lainsky from Philippines Aside from wrong choices of commercially released singles, making GTFO an introduction to a cohesively and nicely crafted album is a wrong move. It should've remained as filler. "Giving Me Life" sounds different. I agree that it is innovative, which could have been a wonderful carrier single. It will make non-fans curious. A second single could have been "A No No", followed by the remix and the familiar yet still impactful song "Caution". "Stay Long Love You" will remind the listeners of "A No No" for a third release, or another schmaltzy song, or "Runway". But then again, her age and marketing are big factors, which makes the industry unfairly sucks. (Sunday 9 August 2026; 05:10)

Can't waut to see who scoffs and mocks this (114,357) by Zachariah from Croatia Me too if my name was next to that reason on the list. Otherwise, it is just bunch of words. (Tuesday 4 August 2026; 07:48) this is a reply to message 114,354

Can't waut to see who scoffs and mocks this (114,354) by Stacey from USA I'd be honored if I contributed to one of Bill's lists. Just saying. (Monday 3 August 2026; 18:26)

Leaving the spotlight for a while (114,311) by Zachariah from Croatia I think she just wants to be left alone. I know I would if I lost a mother and sister and being single with no support from a partner. I would be just that - "Leave me alone." (Tuesday 28 July 2026; 11:40) this is a reply to message 114,309

Leaving the spotlight for a while (114,309) by nancy from Switzerland Another thing that I forgot to say. What would it be like for MC leaving the spotlight completely for a while? I guess that maybe leads to taking more meds, more alcohol. The lack of workout leads to more stiffness and pain. Sleeping until the afternoon with no daily structure is not beneficial. I can't imagine that she is doing house hold either. Also this activity is done by a housekeeper. Inactivity is not a solution. People with chronic pain and depression need activity as a daily routine with pacing. I think there have to be space for everyone in this business also for the damaged ones. She has to do things for herself. Not for the media not even for the fans. For herself. Maybe singing spiritual gospel songs like she did with the Clark Sisters would be invigorating. She enjoyed it. She needs professional care and learn how to cope with the struggles that life gives. For me personally she is still not an old bag, who has been carried for years and now left somewhere in a corner. My humble opinion. (Tuesday 28 July 2026; 09:38)

So Lonely (114,276) by Zachariah from Croatia When I look at Mariah Carey today, I don't just see a global superstar - I see someone who seems to be carrying an enormous emotional weight. Losing both her mother and her sister, navigating relationships that were often painful, living under relentless public scrutiny for over three decades, and spending much of her life in an industry where genuine trust is hard to find, could leave anyone feeling exhausted. Success and wealth don't erase grief or loneliness. While none of us can know how she truly feels, it's understandable why she sometimes comes across as quieter, more reflective, and perhaps a little sadder than in years past. I think she's just very sad, lonely and doesn't find enjoyment in singing any more. (Thursday 23 July 2026; 10:11)

Daydream 30th anniversary (114,240) by Zachariah from Croatia I just love it and really have been daydreaming the whole weekend. I ordered everything because it is just a must have. (Sunday 19 July 2026; 23:43)

Interesting video (114,229) by Zachariah from Croatia I hope they will not make any movie about her because I just know that nobody will be able to portray her like we would expect. (Saturday 18 July 2026; 20:05) this is a reply to message 114,225

Interesting video (114,225) by Bobby A from United States I wonder if MC will ever allow her life story from 1989-1998 to be made into a movie. I am curious about those first 9 years of her career and her marriage to Tommy. She really did have a Princess Di wedding that fell apart so quickly during the course of two eras. Movie titles like The Songbird Supreme or Dear Mariah Carey would totally capture the essence of those years. I wonder what Tommy thinks of the Mariah Carey he sees on TV now. Anyhow I do think he geniunely loved MC and Emilio Estefan said that Tommy was devasted about the break up of their marriage. (Saturday 18 July 2026; 05:38)

Daydream 30th anniversary (114,198) by Zachariah from Croatia It sure is. (Thursday 16 July 2026; 19:29) this is a reply to message 114,197

Daydream 30th anniversary (114,197) by Bobby A from United States Welcome back, Terna. It is going to be a great day tomorrow. (Thursday 16 July 2026; 15:26)

Whitney vs MC (114,159) by Zachariah from Croatia I guess you all are better person then me because I have a problem to have admiration and respect for her remarkable career while she killed it with her drug abuse and bullshitting in Oprah interview how she is saved and found the Lord while Mariah was mocked and ridiculed for years after experiencing a very public mental health crisis. That contrast has always stood out to me. It made me question why addiction was often met with sympathy and her "connection" with her public, while mental illness became the subject of jokes and criticism. Being completely honest - I would rather see diva persona anytime than a sweaty "crack is wack" persona. (Tuesday 14 July 2026; 10:34) this is a reply to message 114,156

Whitney vs MC (114,156) by Edward from USA Perception matters, my dear, especially when it comes to being taken seriously as an artist. Whitney was always Whitney. At her peak, she was phenomenal, and at her lowest, she never relied on smoke and mirrors to convince people she could still sing the way she once did. Everyone knew her voice had declined, but she still got on stage and sang. Sometimes it worked, sometimes it didn't, but people respected the honesty. She also remained grounded. Even during the darkest periods of her life, she came across as authentic and self aware. She could sit down for an interview, have an intelligent conversation, laugh at herself, and connect with people. That authenticity went a long way in shaping how the public perceived her. In my opinion, Mariah is actually the superior overall vocalist. Her range, agility, musicality, and songwriting place her in a league of her own. But somewhere along the way, as Britney once said, she started believing her own hype, and everything went downhill from there. The biggest issue isn't even the vocal decline itself. It happens to every great singer eventually. Aretha's voice was basically shot by the time she passed. The difference is how Mariah chose to handle it. She leaned more and more into heavy lipping, to the point where entire concerts often feel more choreographed around playback cues than live singing. There's a huge difference between using backing tracks for a difficult climax or to protect your voice and essentially lipping through 80% of a concert. Whitney was booed in Australia and criticized elsewhere because people could hear that her voice wasn't what it once was. Some fans even walked out. But she still stood there and sang. She didn't try to convince the audience they were hearing something they weren't. Whether people enjoyed the performance or not, there was an honesty to it that earned respect. People also forget that Whitney remained remarkably consistent for nearly two decades. Even on "Just Whitney", released in 2002, she still sounded very good considering everything she was dealing with. Mariah's vocal consistency, on the other hand, began to decline much earlier, only about seven years into her career. She could still blow and make great albums like "Glitter", but reproducing that level of singing live became increasingly difficult, and that's what stayed in people's minds. Then there's the performance aspect. Whitney remained a natural entertainer almost until the end. Mariah, by contrast, has become increasingly limited on stage over the past decade. Whether it's because of physical limitations, high heels, or simply her bipolar condition, she often appears stiff and overly cautious, which only reinforces the perception that everything is carefully controlled. So yes, I still believe Mariah is the greater overall artist. But I also think she bears the responsibility for the way she's perceived today. It's not just because her voice changed. It's because of the image she cultivated, the reliance on heavy lipping, and the over the top diva persona that eventually ended up lifting her feet from solid ground and devouring her. Legacy isn't built solely on vocal ability, chart records, or awards. It's also built on credibility, authenticity, and the impression you leave on people. That's why artists like Whitney, Barbra Streisand, and Celine Dion continue to command a certain level of universal respect. Their accomplishments matter, but so does the way they've carried themselves. Mariah's legacy is extraordinary, and nothing can erase what she's accomplished. But perception matters. It's what people remember when your name comes up in conversation. Sadly, even many of her longtime fans who once proudly wore her name on their heads now prefer to keep it to themselves. I don't think that's because we've stopped loving her. It's because, over the years, she's made it increasingly difficult for us to defend her, people can't seem to separate the legendary artist from the diva persona she's keeps holding on to. She really thinks the diva persona is killing it, and she's actually right about it. (Monday 13 July 2026; 17:16)

Daydream 30 (114,154) by Zachariah from Croatia We are getting a double album - Daydream 31 and Someones Ugly Daughter and then later 25th anniversary for Glitter. (Monday 13 July 2026; 14:41) this is a reply to message 114,153

Daydream 30 (114,153) by TheButterflyReturns from United States I think Glitter 25 is also coming this year since the soundtrack album and movie have been removed from streaming services. She confirmed she's working on the Glitter deluxe edition earlier this year. The timing for Daydream 30 is better this year since she doesn't have a new album coming out and isn't finishing up an anniversary tour (The Celebration of Mimi) like she was last year. I'm glad she took a break from touring earlier this year to rest. She had a lot going on in 2025. (Monday 13 July 2026; 13:28)

WH vs MC (114,139) by Zachariah from Croatia Every time there's a discussion about the greatest vocalists in history, Whitney Houston's name almost automatically gets declared untouchable. It's as if any criticism is forbidden. But few want to admit the obvious fact: in the last years of her life, her voice was no longer what it once was. Longstanding health and addiction issues left a deep mark on her vocal abilities, and performances that once thrilled became uneven and often painful to watch. If Whitney Houston had lived another ten or fifteen years and continued performing regularly, it's questionable whether the audience would still unanimously call her the greatest singer of all time. It's more likely that, like many other legends, she would have had to hear criticism that she no longer had the voice that made her famous. Death stopped that story at a moment when the myth could have outweighed the reality. If there is a double standard in the music industry, it is most clearly seen in the example of Whitney Houston and Mariah Carey. Whitney Houston is today almost unanimously described as the greatest voice of all time. Her best performances are talked about for a reason - they were spectacular. But it is rarely mentioned that in the final years of her life her voice was seriously compromised. Had she continued performing for another decade, it is very possible she would have faced the same criticism that many music veterans face today. On the other hand, Mariah Carey has been going through media attacks for years. When a performance isn't perfect, social media floods with accusations of lip-syncing, ridicule, and claims that she can no longer sing. As if no one remembers that it was she who, during the nineties and early 2000s, set vocal technique standards that few can reach. That doesn't mean Mariah sings today the same way she did 25 years ago. She doesn't. But Whitney Houston didn't sing the same in the last years of her life as she did at the peak of her career either. The difference is that Whitney is mostly judged today by her best recordings, while Mariah is judged every day by every new performance. Maybe it's time to stop comparing artists based on their worst days or idealizing them after they've passed. If we want to be fair, we have to acknowledge both the highs and lows of all great singers - whether they're still with us or not. (Sunday 12 July 2026; 11:11)

One hundred percent (114,108) by Zachariah from Croatia Don't you ever Be discouraged Let nobody take your courage If you gonna pray don't worry If you gonna worry don't pray You just keep the faith and listen to me (Monday 6 July 2026; 07:47)

MC's best bridge (114,089) by Zachariah from Croatia Bridge in Butterfly. Put in the Bible. (Friday 3 July 2026; 10:35) this is a reply to message 114,084

MC's best bridge (114,084) by Bobby A from United States I have to say Crybaby has to be MC's best written bridge ever. What do you think? I know there are four other MC songs that would land in the top 5 of her best bridge section ever. (Friday 3 July 2026; 01:48)

MC in the studio (114,077) by Zachariah from Croatia I think that's more a matter of taste than a fact. Plenty of people enjoy R&B, and it's still a hugely successful genre. If that's the direction she wants to explore, it doesn't automatically make the music boring. Calling R&B "not the way to go" is subjective. What's boring to one person is atmospheric or emotionally nuanced to someone else. I'd rather judge the songs than the genre. If her vocal issues are affecting her performances, that's a separate discussion from whether she should stop making R&B. Artists adapt their sound all the time, and a quieter style isn't inherently a bad thing. (Thursday 2 July 2026; 12:37) this is a reply to message 114,076

MC in the studio (114,076) by TJ from Norway Thank you Edward. I've been saying it for years now. The boring RnB is not the way to go, and hasn't been for ages. Sadly I think she will go for the same formula again. It's actually better to make an instrumental album if she doesn't have those nodules removed. Her 2025 voice was just painful to listen to. What happened to her alternative grunge album? (Thursday 2 July 2026; 09:06)

Taylor Swift (114,041) by Zachariah from Croatia I don't think the issue is that Mariah's record is in jeopardy. Records exist to be broken. The interesting question is whether every #1 has the same cultural weight. Mariah, Whitney, MJ, Madonna, and The Beatles have songs that people know even if they couldn't tell you what year they came out. They're woven into the culture. Taylor's success is undeniable, but streaming has changed what a #1 means. It's easier for fan engagement to propel multiple songs to the top for a week than it was in the era when radio and physical sales had to sustain a hit. That doesn't diminish Taylor's achievements - it just makes direct comparisons across eras tricky. So I don't see it as "Mariah's record is being devalued." I see it as two different chart ecosystems producing two different kinds of success. Breaking a numerical record isn't automatically the same as matching the cultural footprint that made the record legendary in the first place. Charts measure popularity at a moment in time. Legacy is measured by what people are still singing 20 or 30 years later. Those aren't always the same thing. Taylor may end up with more #1s than Mariah. That tells us Taylor mastered the streaming era. It doesn't erase what Mariah accomplished in an era where getting a #1 required a completely different set of conditions. Numbers can be surpassed; cultural impact is a separate conversation. (Friday 26 June 2026; 22:53) this is a reply to message 114,040

Taylor Swift (114,040) by Randy from USA Even though I don't post much more anymore, I still troll this board to catch reactions, I'm shocked no one has anything to say about Taylor Swift's 15th number one. Has everyone just resigned MC is not gonna hold on to her record? Ima be honest, when I used to spar against a Whitney fan about MC having more number ones. He used to say, yeah but Whitney's are known. I could make the argument Didn't We Almost Have It All isn't well known. For MC Thank God I Found You is obscure. But with Taylor Swift and Drake, I maybe could name 4 a piece. Maybe it's generational. I mean The Beatles are musicians, singers and songwriters. Mariah was a masterful vocalist and is still a killer songwriter. Whitney is probably the greatest live singer of all time. MJ and Madonna are American cultural iconic figures as much as Coke and Levi's. I just don't see Taylor Swift, Rihanna or Drake anywhere near as important. That's the insult of MCs record being in jeopardy for me. (Friday 26 June 2026; 21:23)

It's a wrap (114,012) by Zachariah from Croatia Amen to that. A little drama can make even a puddle look deep. (Wednesday 17 June 2026; 18:05) this is a reply to message 114,010

It's a wrap (114,010) by Edward from USA Remember that some lambs love the drama of pretending they're drowning in a glass of water. The facts: Mariah is a legendary musician. The fiction: There is a brilliant, dormant actress inside of her just begging to be awakened. The delusion: Tommy is the sole reason she doesn't have an "Oscar-winning acting career". (Wednesday 17 June 2026; 16:43)

It's a wrap (114,009) by Zachariah from Croatia Nobody's maligning you. We just upgraded "maybe she has some untapped potential" into the equally radical position of "maybe she doesn't". You're accusing people of misrepresenting your point while dramatically turning disagreement into a coordinated attack on your worldview. That's a lot of mileage from a Mariah Carey acting discussion. Disagreeing with your assessment of an actress isn't a worldview. It's called having a different assessment of an actress. The irony of accusing people of misrepresenting your point while turning simple disagreement into a battle over your worldview is pretty hard to miss. (Wednesday 17 June 2026; 15:08) this is a reply to message 114,008

It's a wrap (114,008) by TheButterflyReturns from United States I never said she's the next great phenomenal actress. All I said is that maybe there is some untapped potential there and that it's something Mariah could try again to get herself out of the rut she's in. I swear some of you people are so argumentative and catty and want to misrepresent or malign people who post something that even slightly challenges your worldview. (Wednesday 17 June 2026; 12:35)

It's a wrap (114,004) by Zachariah from Croatia We're nearly two decades removed from Tennessee and people are still talking about Mariah's acting "potential" like Hollywood is desperately overlooking the next great dramatic actress. Maybe the simpler explanation is that she's a phenomenal musician and a mediocre actress. Not every criticism of her acting career can be blamed on Glitter. (Tuesday 16 June 2026; 23:47) this is a reply to message 114,002

It's a wrap (114,002) by TheButterflyReturns from United States We're just going to have to disagree on this one. I think Mariah has some untapped potential on the acting front (evidenced by "Wisegirls" and "Tennessee") and has been unfairly written off on that front due to the failure of "Glitter". She actually received good reviews for her performances in "Wisegirls" and "Tennessee". The films just didn't get wide releases outside of the festival circuit. Attempting another film like "Tennessee" could lead to another interesting musical collaboration like "Right to Dream" with Willie Nelson. It could spark something that takes Mariah out of her comfort zone. I just don't see Mariah writing and producing for other artists - if she comes up with something good, she's going to want to keep it for herself. (Tuesday 16 June 2026; 17:02)

MC songwriting (113,986) by Zachariah from Croatia I don't know if it's fair to say she's "scared". Not every artist processes their life through direct autobiography. Mariah has always been selective about what she reveals in her music, often using metaphor, fantasy, romance, or reflections on past experiences rather than documenting her current life in a diary-like way. Also, just because she doesn't explicitly sing about motherhood, aging, or being single doesn't mean she's avoiding vulnerability. Different artists express themselves differently. Some write very literally, others prefer themes that are more universal or timeless. The Meaning of Mariah showed she is capable of opening up deeply when she chooses to, but a memoir and a song serve different purposes. A memoir allows for detailed explanation and context, while songs often rely on mood, symbolism, and emotional snapshots. It's possible you'd like more songs about her present-day experiences, and that's a valid preference. But concluding that the absence of those topics means she's hiding or afraid seems like a leap. (Monday 15 June 2026; 06:25) this is a reply to message 113,980

MC songwriting (113,980) by jaker20 from US I think she opened up with Here for It All (the song), but the rest of the album have generic lyrics because she doesn't want to open up. She can't keep in singing about things from 30 years ago, which is her way of hiding. Why can't she write about motherhood, about the hardships of being alone without partner, about aging, about being viewed differently by the public. It would her to sing some lines and thoughts in The Meaning of Mariah. But I think she is scared. Frankly it's easier to write experiences for a book matter-of-factly, than put emotions into those words through a song, because she is an artist. (Monday 15 June 2026; 02:47)

MC songwriting (113,985) by Zachariah from Croatia I don't know if it's fair to say she's "scared". Not every artist processes their life through direct autobiography. Mariah has always been selective about what she reveals in her music, often using metaphor, fantasy, romance, or reflections on past experiences rather than documenting her current life in a diary-like way. Also, just because she doesn't explicitly sing about motherhood, aging, or being single doesn't mean she's avoiding vulnerability. Different artists express themselves differently. Some write very literally, others prefer themes that are more universal or timeless. The Meaning of Mariah showed she is capable of opening up deeply when she chooses to, but a memoir and a song serve different purposes. A memoir allows for detailed explanation and context, while songs often rely on mood, symbolism, and emotional snapshots. It's possible you'd like more songs about her present-day experiences, and that's a valid preference. But concluding that the absence of those topics means she's hiding or afraid seems like a leap. (Monday 15 June 2026; 06:25) this is a reply to message 113,980

MC songwriting (113,980) by jaker20 from US I think she opened up with Here for It All (the song), but the rest of the album have generic lyrics because she doesn't want to open up. She can't keep in singing about things from 30 years ago, which is her way of hiding. Why can't she write about motherhood, about the hardships of being alone without partner, about aging, about being viewed differently by the public. It would her to sing some lines and thoughts in The Meaning of Mariah. But I think she is scared. Frankly it's easier to write experiences for a book matter-of-factly, than put emotions into those words through a song, because she is an artist. (Monday 15 June 2026; 02:47)

MC songwriting (113,984) by Zachariah from Croatia I don't know if it's fair to say she's "scared". Not every artist processes their life through direct autobiography. Mariah has always been selective about what she reveals in her music, often using metaphor, fantasy, romance, or reflections on past experiences rather than documenting her current life in a diary-like way. Also, just because she doesn't explicitly sing about motherhood, aging, or being single doesn't mean she's avoiding vulnerability. Different artists express themselves differently. Some write very literally, others prefer themes that are more universal or timeless. The Meaning of Mariah showed she is capable of opening up deeply when she chooses to, but a memoir and a song serve different purposes. A memoir allows for detailed explanation and context, while songs often rely on mood, symbolism, and emotional snapshots. It's possible you'd like more songs about her present-day experiences, and that's a valid preference. But concluding that the absence of those topics means she's hiding or afraid seems like a leap. (Monday 15 June 2026; 06:25) this is a reply to message 113,980

MC songwriting (113,980) by jaker20 from US I think she opened up with Here for It All (the song), but the rest of the album have generic lyrics because she doesn't want to open up. She can't keep in singing about things from 30 years ago, which is her way of hiding. Why can't she write about motherhood, about the hardships of being alone without partner, about aging, about being viewed differently by the public. It would her to sing some lines and thoughts in The Meaning of Mariah. But I think she is scared. Frankly it's easier to write experiences for a book matter-of-factly, than put emotions into those words through a song, because she is an artist. (Monday 15 June 2026; 02:47)

MC 2017? (113,956) by Zachariah from Croatia You don't have to love everything Mariah does to be a fan. But saying it's "so many things" without actually explaining what those things are doesn't really say much. If your feelings have changed, that's valid. I'm just curious what specifically changed for you. (Friday 12 June 2026; 11:32) this is a reply to message 113,954

MC 2017? (113,954) by TJ from Norway I'm not a real fan. Bla bla bla. It's not only her last album. It's so many things. I didn't say that I never going to check out her next project. But it's not how it used to be. (Friday 12 June 2026; 07:23)

Everything Fades Away (113,955) by Zachariah from Croatia I would strongly disagree. I've been a Mariah fan since 1990, so I've followed her live performances for decades. Trust me, I know the difference between when she's singing live, when she's using backing tracks, and when she's fully lip-syncing. Not every performance is 100% live, but it's also not as simple as saying "95% lipped". (Friday 12 June 2026; 07:47) this is a reply to message 113,953

Everything Fades Away (113,953) by Lighty from China The Summertime Ball was like 95% lipped lol. (Thursday 11 June 2026; 17:30)

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